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English and Sustainable Development

6  The creation of texts relating to environmental issues

Talk: persuasion and argument

Whilst much composition in the classroom will be written or image-based, it is worth remembering the role of talk in English. Environmental issues lend themselves to debate, discussion, role play and presentations. As suggested in Section Four, student teachers might assemble a collection of newspaper articles and leaflets as a resource for setting up discussion and debate.

Ask the student teachers, in pairs or small groups, to look at the English National Curriculum requirements and the Literacy Framework for objectives related to persuasion and argument and to develop a series of classroom sessions focusing on talk, using their collections of articles and leaflets. Margaret Mallett’s book Active Encounters: Inspiring young readers and writers of non-fiction 4-11 (2007) has a wealth of suggested activities for non-fiction work, some of which deal with environmental topics. See also Dawes, Mercer and Wegerif’s Thinking Together (2004).

The UK Committee for UNICEF has a range of educational resources to stimulate talk, for example, packs of ‘wants’ and ‘needs’ cards which support discussion of resources and human rights; and Water, a right or a necessity, a publication which gives information about living in areas where water is scarce.

These can be used to support discussion about sustainability which help pupils see the interrelatedness of human and natural activity.

Designed multimodal texts

You might bring in a few leaflets from local parks and wildlife areas which use a designed combination of word and image as an activity to consider distinguishing between information and persuasion. Such multimodal designed texts are easily found and offer good opportunities for looking at how image and language are interrelated in presenting views of the environment. In analysing leaflets, the student teachers can be asked to consider:

  • What do the images contribute to the messages implicit (or explicit) in the leaflet?
  • What messages do the words carry?

This activity can be directly transferred to the classroom. Leaflets, preferably laminated, offer opportunities for a range of analytical activities as the following case study shows. This activity has been used equally effectively with pupils at Key Stage 3 as well as with younger children. The following case study gives some practical details.

Jane Brooks and her year 3/4 class were working on information texts with Catherine Phillips, a student teacher. As preparation for a later project on the environment, the class learned how to draft and plan leaflets. Jane writes:

We scanned a range of local visitor attractions leaflets into the computer and inserted them into interactive whiteboard software so that we could annotate the texts during shared reading. These showed different balances of visual and written text to help the children compare and contrast. With the children we identified the elements of the leaflets which were word- or image-based and discussed why the designer might have chosen to use words or images for each element. We also talked about choices of colour and typography.

In discussion pairs the children annotated the leaflets (see Fig. 6.1). They drew round the areas they had identified as word- or image-based on the interactive white board. Annotating texts like this helped discussion about how the text layout balanced the placement of words and images across the A4 page. The children came up with the following points. Their own language is shown in italics:

  • the layout was split into, sections or paragraphs
  • a logo was used to identify who might have composed the leaflet
  • emboldened words or phrases tell the reader to go to the attraction
  • persuasive phrases may or may not be true
  • blocks of text give information to readers
  • pictures provide extra details to the readers
  • pictures hook the reader in and act as bait
  • large photographs or images on the front page with little writing imply that the attraction is not boring.

Annotating leaflets about the environment

Figure 6.1: Annotating leaflets about the environment

These comments show how the children are critically aware of the way in which the written and visual texts worked together to convey meaning…

Information from images: noting opinions

Figure 6.2: Information from images: noting opinions

… Having discussed leaflets as a whole class, the children worked in pairs to examine other leaflets and identify what information was provided by the images. We gave the children different attraction leaflets and sticky notes for them to record their opinions (See Figure 6.2). Where there were differences of opinion, we encouraged the children to share their ideas as a positive affirmation of the different reading pathways and responses to texts available for a reader. The children were clear that their findings would later support design decisions for when they made their own leaflets.
(Brooks in Bearne and Wolstencroft, 2007: 80-81)

The environment as text

In the background paper, Stables argues for a wider interpretation of ‘text’ which can encompass landscape and which draws on literary models for analysis of the environment as text. The idea is to help pupils (and student teachers) understand that we can respond to the environment in similar ways to our response to more traditionally recognised kinds of text. Many novelists write evocatively of the environment as text itself, often to introduce the characters and themes of the narrative, for example, Hardy’s depiction of Egdon Heath in The Return of the Native and Dickens’ evocation of the marshes in Great Expectations and the fog in Bleak House. In children’s texts, for example, Philippa Pearce’s description of the river in The Minnow on the Say or Lucy Boston’s Green Knowe series, the environment acts as an extra character as well as a formative backdrop to the events of the stories. In film, too, the environment often acts as a text which is inscribed with the thematic aspects of the narrative.

Student teachers might be asked to compile their own list of novels for young readers where the environment is foregrounded. Ask them to choose one and consider: What is the author’s attitude to the environment? As threatening or dangerous? As an atmospheric accompaniment to the events of the novel? As a character whose actions contribute to the narrative?

The student teachers might use their chosen novel to plan a unit of work which highlights environmental issues. They will need guidance about how to teach a novel over a period of time to maintain pupils’ interest and enthusiasm in the narrative whilst discussing the environmental issues the book raises.

Picturebooks also offer opportunities for viewing the environment as text. John Burningham’s Oi Get Off Our Train with its explicitly ecological message, Jeannie Baker’s Where the Forest Meets the Sea and The Hidden Forest with their fascinating visual construction, or for older student teachers, John Marsden and Shaun Tan’s The Rabbits with its challenging approach to the effects of colonisation, would be good starting points to consider:

  • How do the images of the environment contribute to the narrative?
  • What do the words contribute?
  • Would the book be as effective in getting its message across if it only had words? only pictures?

Student teachers might choose a picturebook which focuses on the environment and develop a teaching sequence to explore the ways such a multimodal text works to get the environmental message across.

The urban environment

In the classroom, pupils can be asked to write their own narratives based on images of the environment. The natural world is often used as a stimulus for ‘creative writing’ whether narrative or poetry, but images of less aesthetically pleasing environments can give rise to powerful composition. The photographs of a barren urban landscape Figures 6.3–6.8 below were used for poetry performance as the following case study shows.

Urban images

Figures 6.3–6.8: Urban images

Ben Reave wanted his Year 6 class in a north London school, to have some experience of performing poetry but was aware of the need for sensitivity:

My class weren’t particularly backward at coming forward but could become very self conscious when asked to read their own work aloud to others. I have always tried to encourage them to write for different audiences, but in poetry this has meant making printed anthologies or word processing poetry for display in the public areas of the school. They had never had experience of presenting their poetry. We had been using visual stimuli for writing for some time and the class were used to drawing ideas from film and picturebooks but I hadn’t thought of using digital photographs as a stimulus. The potential of presentational software and the advent of the IWB meant that I was able to do this, and I found that using images can be a very rewarding class experience, giving the chance to share ideas before the children write individually.

As ‘post SATs work’ which we always make as ‘secondary-like’ as we can, I planned a unit of work based on Robert Swindells’ novel Stone Cold – a challenging book but one that I felt the class could cope with. I linked my planning to PSHE work and wanted the class to have a chance to write imaginatively. There is a waste patch near the school where the local ‘environmental decorators’ had sprayed graffiti. I took a series of digital photographs from which I chose six for this activity. Before starting on reading the novel, I introduced the topic of homelessness by showing the images and talking with the children about how it might feel to be homeless. I explained to the class that we would be writing poetry and using presentational software to capture them reading their own poems associated with the images. Using this method we could share some of their poems in the leavers’ assembly which is attended by parents.

I had no problems with getting this work going as the class had plenty to say about the topic of homelessness and made some very sensitive comments. We gathered ideas from the whole class but then the children worked individually, with the support of their response partners, to write their own poems. I asked them to match their words to each of the six images in any order that they chose. As they wrote and redrafted their poems, we began reading the novel and they were hooked into it by the realisation that their own ideas were very close to the situation of the central character. Corinne’s ‘Nowhere to Go’ is just one of the very moving poems the class wrote and, although she is quite reticent, she read it aloud to great acclaim – and tears - as a presentation for the leavers’ evening.

Nowhere to go

Look at this

Bare

Dirty.

This is no place to be.

Among the metal

Plastic

Rubbish.

Is anybody there?

I can sit here

Think

Cry.

Nowhere else to go.

Someone’s been here before

ASBO

Outcast.

Just like me.

Who are they, this crew

Bozar

Kerm

And Shak?

Where are they now?

 

This is where I’ll sleep

Cold

Hungry

What else can I do?

One of the images, for example the last of the images shown in the montage above, showing what is obviously a homeless person’s derelict shelter, can be used to promote storytelling or narrative writing. Using the prompt questions: what? where? why? how? who? ask the student teachers, perhaps in pairs, to use the image to create the ‘back story’ as a told story (or a plan for a written narrative).

The above activity can be directly transferred to the classroom but equally, the images might be used for persuasive writing about the importance of the visual environment. (See Terry Gifford’s work in Section Four). Student teachers might take their own ‘positive’ and ‘negative’ images of the local area as a basis for planning a unit of work related to the environment. In the classroom, pupils might also take their own images to create a Powerpoint™ presentation to argue for a better local environment or to ‘sell’ the positive aspects of their own local area as a place worth visiting.

The creation and enhancement of the environment

This aspect of English and sustainable development might be seen as an extension of the previous category where the environment is seen as a text in itself. The school or local area are again ideal resources for cross curricular work linking English with geography, history or citizenship, for example.

The school environment

The images in the montage above were taken by pupils in a special school after school council discussions which led to the governors allocating funds for improving the school environment. The pupils used these as part of a presentation to parents and governors which celebrated their school and its provision. The next aim of the school council was to develop a school-wide policy on maintaining the environment. This led to much discussion about being responsible and caring for their leisure facilities.

Pictures were also used by the school council from another school as the basis for considering what they would see as priorities for facilities in their own school. They took photographs of their school environment, made a display and asked for comments from the children in the school about which kinds of facilities they thought were most important. Using this information, the representatives from each class began discussions to decide on one aspect of the school due for improvement. With the agreement of the headteacher, governors and Friends of the School, they developed their ideas to a full action plan.

Ask the student teachers to develop a cross-curricular theme based on the school environment. Images or photographs taken by the student teachers or their classes might lead to discussions of:

  • responsibility for the environment
  • the role of the visual environment in making us feel cheerful or miserable
  • the use of colour in the built environment
  • the role of wildlife areas
  • planning a school wild area or cultivated garden.

The preservation of the environment

Earlier activities have suggested the value of cross-curricular work so that English teaching can support study in other curriculum areas. At the same time, it is important to try to preserve the notion of pupils becoming more critically aware of environmental arguments. The following extracts from a longer case study describe how Margaret Hornsby used a geography topic about rainforests to develop different kinds of writing. She also used music, art and photographs from a class visit to Birmingham’s botanical gardens to extend the children’s understanding.

The first idea was a letter to an environmental agency requesting information about the rainforest. We discussed the key questions that the children had made up in one of their geography lessons, and these formed the basis of our letters. Most children already knew how to set out a letter, but they didn’t really understand the concept of a formal letter contacting someone they didn’t know. They used a writing frame to give them a starting point for their ideas and a model to help them to write in the language and style of a formal letter.

Daniel's letter to Greenpeace

Daniel’s letter to Greenpeace

The children were very enthusiastic about writing the letters and they waited impatiently for the replies. This reinforced the concept of writing as a means of communication and has encouraged them to write letters since, saying thank you for a trip and entering various competitions.

Next I was inspired by a music INSET session to introduce more music into the classroom. I wanted the related piece of writing to be more creative and to reinforce our Literacy Objectives, which were to use more adjectives and powerful verbs in writing. We listened to a piece of music written by some musicians from Brazil, and imagined that we were in the Rainforest. Then the children described to a partner what they could see and they noted their ideas on whiteboards. We discussed their ideas as a group and I modelled a description of the Rainforest, making sure that I used the key geographical words, which I aimed to keep reinforcing throughout the topic. When the children had written their individual descriptions, they shared them with the rest of the class and attempted to critically evaluate their writing. This helped the children to see that they could improve each other’s writing whilst also supporting each other as writers.

The next big event for our class was a trip to Birmingham Botanical Gardens (more letters of thanks to write!) and then a corridor display showing sketches and paintings of the flowers which we had seen there. The drawing and painting took up several art lessons and the children became absorbed in the various colours, shapes and textures of the flowers and plants they were creating. The writing lesson was a continuation of the flower theme, and involved using sketches and other photographs and pictures to create an imaginary ‘super – flower’. We talked about the various parts of a flower (as preparation for Term 3 when we study growth in science!) and the children produced a small illustration of their imaginary flower. As a class we then made a list of metaphors and similes to describe an imaginary flower and the children used these, along with their small drawings, to help them with their own creations.

In following Geography lessons we studied the weather of the rainforest, looking at temperature and rainfall. In our writing lesson we watched a video clip of a weather bulletin, and the children made up their own weather reports. The less fluent writers worked from a writing frame developed by one of my colleagues and the class imagined that they were weather presenters. They used their geographical knowledge of the climate in the rainforest to produce some accurate and interesting writing, and without realising it, learned how to write a factual report.

Shazia's weather forecast

Shazia’s weather forecast

The writing has reinforced the children's knowledge about the rainforest and has increased their interest in the topic. It has encouraged them to have their own ideas and opinions and enabled them to write about their own feelings.

(Hornsby in Bearne, 2002: 42-25)

Ask the student teachers, in pairs, to plan series of lessons on a chosen environmental topic which will link different curriculum areas. If they are on a primary teaching course they can take a robust cross-curricular approach, drawing on humanities and creative areas of the curriculum as well as English/literacy. If they are on a secondary course, they might draw on interdisciplinary sources for an English unit of work about sustainability.

Remind them of the lists they compiled in Sections 2 and 3 about how sustainable development relates to English/literacy teaching and how crucial literacy can contribute to education in sustainability.

There are many further suggestions and resources available through Teachers in Development Education (TIDE) and the Geography Association.

The internet is also undoubtedly a useful resource for getting hold of information, opinion and images of the natural world. However, material on the web is not edited so that critical scrutiny is required. One useful site is OneWorld UK, which is an online resource with this welcome message:

Welcome to OneWorld UK. We aim to provide the UK's best online coverage of human rights and sustainable development.

There are, of course, many information texts, particularly picturebooks, about the environment. It is worth visiting the Walker books website and searching for the theme environment.

References

Bearne, E. (2002) Making Progress in Writing. London: Routledge
Bearne. E. and Wolstencroft, H. (2007) Visual Approaches to Teaching Writing: Multimodal literacy 5-11. London SAGE/UKLA
Dawes, L., Mercer, N, and Wegerif, R. (2004, second edition) Thinking Together: a programme of activities for developing speaking, listening and thinking skills. Birmingham; Imaginative Minds Ltd.
Mallett, M. (2007) Active Encounters: Inspiring young readers and writers of non-fiction 4-11. Leicester, United Kingdom Literacy Association (UKLA) www.ukla.org

Children’s books:
Jeannie Baker (1989) Where the Forest Meets the Sea. Walker ISBN 9786744513059
Jeannie Baker (2002) Window. Walker ISBN 9780744594867
Jeannie Baker (2005) The Hidden Forest. Walker ISBN 9780744578768
John Burningham (1994) Oi Get Off Our Train. Dragonfly books ISBN 9780517882047
Frances Hodgson Burnett (1998 originally published 1911) The Secret Garden. HarperClassics
Nigel Gray and Philippe Dupasquier (1991) A Country Far Away Orchard Books ISBN: 0531070247
John Marsden and Shaun Tan (1998) The Rabbits. Simply Read ISBN 9780968876886

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