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Identifying Digital Video Clips of Good Pedagogic Practice

John Yandell

Subject leader, PGCE English and English with Drama
Institute of Education

Introduction: a cautionary note (or two)

‘Good pedagogic practice’ is not a stable entity. What counts as good practice is contested, variable, irreducibly situated in a specific context.

Digital video footage does not show anything: it always has to be interpreted. But this is also the case with any other form of classroom observation: the observer never merely observes what is happening, because any act of observation is also an interpretation. The meanings that are attached to classroom observations depend on a number of variables:

  • the purposes of the observer;
  • the focus of the observation;
  • the observer’s knowledge of the contexts of these interactions;
  • as well as what happens in the classroom.

Observation provides an opportunity for the observer to render explicit the criteria as well as the values, assumptions and prior experiences that shape and inform the act of observation. Because observation necessarily involves interpretation, different observers will disagree about what they are observing. Student teachers will not see a lesson in the same way that experienced teachers and mentors will see it – and what a student teacher can see will change rapidly during the course of their training.

 

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Contents

  1. Why use digital video footage?
    1 It provides a window on other classrooms
    2 It enables us to review what happens in the classroom
    3 It brings a multimodal lens to the analysis of teaching and learning
    4 It encourages discussion about the criteria used to interpret and to judge
    5 It can focus attention on the importance of other forms of evidence, other kinds of knowledge
  2. How to use digital video footage
    1 A little goes a long way

    2 A clear focus for the observation
    3 What don’t we know? What can’t we see?
    4 What issues does this raise for your practice?
  3. Teachers TV
    1 Messy Art at KS2 provides opportunities to explore
    2 Gifted and Talented – History – Causal Reasoning: WW1
    3 Changing Teachers - Finland Comes to England – Secondary
    4 KS3/4 Drama – Engaging with a Difficult Text – Dr Faustus
  4. Literacy in the primary classroom
    1 Reading for understanding and enjoyment
    2 A shared text as the stimulus for varied activities over time
    3 The power of retelling
    4 Shared close reading of text and images
    5 Reading as performance
    6 A little at a time – and time to talk
    7 Inhabiting a role, inhabiting the text
    8 Shared writing
  5. The pedagogy of an experienced secondary English teacher
    1 Quick run through to get the story

    2 Quotes – speaking, knowing and owning the lines
    3 Quotes: attribution to characters
    4 Acting out the play
    5 Pairs of opposites: scanning with a purpose: revisiting the same scene with specific focus
    6 Class: speaking and reading text
    7 Viewing the RSC Macbeth
  6. The pedagogy of newly-qualified English teachers
  7. Do It Yourself
  8. Students are doing it for themselves
  9. Reference and further reading
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